Category archives: T shirts

uchi screen prints now at Etsy

To make room for new screen prints, tees and more, we’re spreading the word. You can now go get that authentic uchi goodness from the uchi clothing Etsy shop.  New products are being added daily, but here’s a selection of what is available at Etsy.com.

Golden Section screen print

Golden section (fibonacci sequence) inspired by the art of Piet Mondrian. Hand screen printed on 300gsm somerset white paper.

From the album – Order Out of Chaos, Track 41.

uchi's Golden Section screen print

Golden Section screen print by uchi clothing

Screen print – Explicitly Stated; not merely implied

A mixture of Islamic, medieval and Japanese references conveying the uchi brand slogan: explicitly stated; not merely implied.

24 limited editions, hand screenprinted in 5 colours. Signed and numbered.

Taken from the album – Soliloquy of Chaos, Track 28.

uchi clothing's Explicitly Stated screen print

Explicitly Stated screen printed by uchi

Screen print – Rules

A tribute to Malcolm Mclaren sampling one of his quotes. Typeset in Benguiat and hand printed in four colours.

From the album – Soliloquy of Chaos, Track 30.

uchi clothing - Rules screen print

Rules screen print by uchi

Screen print – Mountain Top

Mountain Top is the fifth track from uchigothic’s Summertime solo project.

8 Limited editions, hand screen printed in 5 colours.

Mountain Top screen print by uchi clothing

Mountain Top screen print by uchi clothing

Screen print – Clevedon Pier

A very limited amount of 5 of these exist as it was a commissioned piece. Six colour hand pulled screen print.

Limited Edition Clevedon Pier Screen print

Clevedon Pier Screenprint

uchi's Hexagon Space Dark grey T shirt

uchi’s Hexagon Space – Dark Grey T shirt

Taken from the Order Out of Chaos album, uchi clothing’s Hexagon Space T shirt – Dark Grey is OVER HERE

In geometry, Euclidean space encompasses the two-dimensional Euclidean plane, the three-dimensional space of Euclidean geometry, and certain other spaces. It is named after the Ancient Greek mathematician Euclid of Alexandria.

uchi's Hexagon Space Dark grey T shirt

 

uchi's Hexagon Space Dark grey T shirt

uchi's Hexagon Space Dark grey T shirt

Periodic Table of Typefaces T Shirt

uchi clothing’s Periodic Table of Typefaces T shirt

We’ve got one of uchi clothing’s most recent best selling joints OVER HERE, now in these fresh new women’s charcoal bamboo T shirts.

Whether you’re a type geek or a chemistry geek, you can’t fail to be impressed by this execution of a classic design element. 

Here’s the first colour drop of uchi’s Typographic Periodic Table – charcoal grey on a women’s bamboo T shirt. Shop them at the OVER HERE store, OVER HERE online and from uchi clothing co.

Periodic Table of Typefaces T Shirt

 

uchi 's Typographic Periodic Table of Elements

uchi’s Typographic Periodic Table of Elements

WOMEN'S TYPOGRAPHIC PERIODIC TABLE

uchi’s Typographic Periodic Table — a brief description of each typeface group.

There are many classification systems of type – defined by their visual characteristics (stroke contrast, serif shape, etc) and their historical development or historical reference. Here, I’ve tried to match the main categories with the element groups. Also, except for the Lanthanoids and Actinoids (Glyphic, Script, Blackletter and Graphic faces) and, where possible, in each group I’ve tried to order the typefaces date order from top to bottom. There are some notable exceptions for aesthetic reasons. For example, Helevtica, of course had to be Hydrogen.

Alkali metals

Venetian

Venetian typefaces (also known as Humanist) 1400s – 1500s:

Characteristics: Bracketed serifs which are angled on lower case letters and ascenders, curve axis slopes to the left, little contrast between thick and thin strokes.

Alkaline earth metals

Garalde

Garalde typefaces (also known as Old Style and Old Face) 1600s:

Characteristics: Bracketed serifs, curve axis slopes to the left, heavier contrast between thick and thin strokes. The lower case e has a horizontal bar.

Other non metals

Grotesque

Grotesque/neo grotesque typefaces (San serifs) 1700s – 1800s:

Characteristics: No serifs. Slightly squared curves. Grotesque faces have more contrast between thin and thick strokes than the latter more uniform neo grotesque fonts (Helvetica).

Transition metals

Transitional

Transitional (also called Neoclassical or Rationalist) 1700s:

Characteristics: Bracketed serifs which are angled on ascenders and lower case letters, vertical or left inclined axis on curves. Influenced by copperplate engraving. Transitional typefaces incorporate characteristics of the earlier Garalde and the latter Didone type.

Slab serif

Metaloids

Slab-serif (or Egyptian) 1700 – 1800s:

Characteristics: Typefaces with heavy, square-ended serifs, often the same thickness as the main stem of the letters. Serifs can be with or without brackets.

Didone

Post transition metals

Didone (also called Modern) 1700s:

Characteristics: Didone faces feature strong and abrupt contrast between thick and thin strokes. Curve axis are vertical and the lower case serifs of ascenders are generally horizontal. Generally there are no bracketing of serifs.

Geometric Sans Serif

Halogens

Geomteric sans serif 1700 – 1800s:

Characteristics: Geometric fonts are of uniform weight and based on simple geometric shapes, rectangles and circles. Most Geometric fonts have a single story a.

Nobel Gases

Humanist Sans-serif

Humanist sans-serif 1700 – 1800s:

Characteristics: Humanist typefaces are sans-serif faces that follow the proportions of traditional Roman inscribed capital letters and the Garalde (or Old Style) lower case letters. Unlike the monoline geometric fonts they have some contrast between stroke lines and most have a two story a and g.

Lanthanoids

Glyphic and Script fonts

Glyphic:

Characteristics: Typefaces which appear chiselled rather than derived from a calligraphic form.

Script:

Characteristics: Typefaces which imitate cursive handwriting.

Actinoids

Blacketter
Graphic and symbol fonts

Blackletter (Gothic, Fraktur or Old English) c1100 – 1500s:

Characteristics: Typefaces based on early manuscript lettering. Blacketter typefaces have dramatic thin and thick strokes, and elaborate swirls on the serifs. Used in the printing of the Gutenberg Bible in 1450.

Graphic:

Characteristics: Symbols and typefaces which appear drawn rather than derived from a nibbed pen.