Fresh to OVER HERE. Green energy meets classic Hip Hop in a special edition T shirt.
Here’s a little background from the people that bought you the Public Energy T shirt…
In the 80s LA rap act Public Enemy were politically charged, angry, frustrated and concerned. Thirty five years later we share much of their feelings as we are Uneasy about Energy and we wanted to make it public.
Why make a Public Energy [sic] T Shirt?
Think about it. There are lots of reasons why you might feel the same. Energy issues are all around us: Pricing, efficiency, ownership, renewables, security, big 6 dominating the market, fracking, nuclear etc…
The huge issues around climate change demand us as a species to rethink many things that are taken for granted. Time is running out and equality and fairness should drive us forward. Energy is a resource but also should be seen as a right and therefore a responsibility. It matters. And people are right to feel angry about it.
Here’s some old and new. A look back at the original uchi classic T shirt No 18 – Now We May Begin and the 2016 remix, Now We May Begin Again.
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The original images uses 4 photos from a series of 36 taken in sequence. From selecting the vinyl (Natural Selection) to the needle dropping on the record as shown on Always Use Clean Needles. The remix is more subtle than the original T shirt design. The “sample” – the first verse from Randy Crawford’s song of the same name has been removed and the lines redrawn for a bigger print.
If you’re a fan of the late legendary Hip Hop/neo soul producer J Dilla, you’ll know how much he is loved around the world as a prolific producer, beat maker and musician. He has produced tracks for the likes of Slum Village, The Roots, Janet Jackson, A Tribe Called Quest, De La Soul, Busta Rhymes, Erykah Badu, The Roots, The Pharcyde… The list is as huge as his respect from fans and artists alike. Many of my favourite Hip Hop joints have been produced by J Dilla, aka Jay Dee, despite not always being aware at the time he was the producer. Recently, I dug out some of my Erykah Badu and D’angelo albums (amongst others), just to listen closer to that ‘Dilla’ sound, the smooth breaks with that organic feel that made me instantly like them so much. That’s the beauty of true authentic art. You’re not meant to notice the technicalities or the cracks and imperfections, but it’s those things that make them so special and stand shoulders above the rest.
Legendary J Dilla
J Dilla first made his mark as a producer for Slum Village, in his home town of Detroit and in the early 2000s went on to have a solo career and collaborations. Anyone will tell you that this only skims the surface of his catalogue. I won’t go into details, I would suggest you listen to anything he was involved in and go from there. You’ll discover the enormous amount of praise and respect he receives and recognise it was all well deserved. Needless to say, his status amongst artist, fans, beat makers, vinyl seekers, musicians and those that ‘know’ is that close to a deity. Upon his untimely death in 2006, he had already amassed a huge collection of production credits on a variety of diverse projects. He is widely regarded as “one of the most influential Hip Hop artists” and a “producers favourite producer”.
Sadly, after suffering for a long time with the blood disease thrombotic thrombocytopenic purpuran, in February 2006, J Dilla died at 32 years old. His legacy lives on. His dedication to his craft is legendary. Stories about his beat making methods, his mastery of equipment and rolling up to gigs in his wheelchair have given him cult status and inspired musicians worldwide. J Dilla underground beat tapes have being circulated and bootlegged, tribute albums have been produced and his work has been translated for a 60-piece orchestra.
Timeless – Suite for Ma Dukes
Miguel Atwood-Ferguson (Mochilla Presents): Timeless: Suite For Ma Dukes (The Music Of James “Dilla” Yancey)
This orchestrated homage to J Dilla’s work, brings me to why I’m writing this. Timeless – Suite for Ma Dukes – composed and arranged by Miguel Atwood-Ferguson in 2009, pays tribute to Dilla, interpreting his work into sublime orchestral pieces. It features artists such as Bilal, Common, Dwele, Karriem Riggins, Posdnuos, Talib Kweli and more. Timeless – Suite for Ma Dukes is, as well as everything else Dilla put his hand to, well a worth a listen.
Here is a work in progress. My own version of the Timeless – Suite for Ma Dukes album cover. I wanted to capture Dilla’s intricate style, the classical elements, his layered loops and samples. I wanted to create something that looked elegant, intricate and, well, “timeless”.